Indie Exclusive Releases

The Avalanches’ new album, We Will Always Love You, will be released by Astralwerks on December 11. An exploration of the vibrational relationship between light, sound and spirit, The Avalanches have moved beyond the party-up exuberance of their youthful music to a tender, reflective sound infused with hard-earned life wisdom. Building  on  the  sample-based  approach  of  their  classic  albums Since I Left  You and Wildflower, We Will Always Love You is their most song-oriented album yet, made with an array of guest singers and writers. Limited Edition Indie Exclusive 180-gram Kelly Green w/ Coke Bottle Splash 2LP; includes a poster insert.

This opaque orange Fear of Death vinyl is limited edition and only available at independent record stores.

Fear of Death is a Serious Album about Serious Topics – a doomed future, abandoning life in the city, and the inevitability of death. It’s Heidecker’s biggest sounding and most fleshed out album yet featuring an all star band comprised of Weyes Blood’s Natalie Mering (vocals and piano), Drew Erickson (Jonathan Wilson, Dawes), The Lemon Twigs’ Brian and Michael D’Addario, Jonathan Rado, and string arrangements by Spacebomb’s Trey Pollard (Foxygen, Bedouine, The Waterboys, Natalie Prass).

Regarded by many as one of the finest live albums of all time, Strangers in The Night captured UFO at the peak of their powers as a band.  Originally released in 1979, this double album recorded during the bands October 1978 US tour, which can only be described a live greatest hits of the band’s repertoire.  This newly remastered version of the album has been done from the original masters by Andy Pearce and presented in a gatefold sleeve on clear vinyl exclusive to the indie retail community.

Single LP on coke-bottle clear with yellow swirl vinyl, includes 7.5" square "blotter paper" print in same jacket as standard edition. Full album download included.

In the fall of 2019, Lambchop’s Kurt Wagner had a unique idea: In lieu of going on what would become an economically disastrous tour, he would invite the band to Nashville to make a record as a way to provide them with similar financial support and realize something tangible in the process. Each band member was tasked with choosing one song for the band to cover, and leading the recording session to completion each day. Wagner says, “My idea was to see what might happen if I removed myself from the process as much as possible. In doing so, what surfaced would be elements that have always been there but maybe got overshadowed by my songwriting and approach.”

Recorded December 2–7, 2019, at Battletapes in Nashville, TN, and produced, engineered, and mixed by Jeremy Ferguson (with the exception of “Reservations” which was co‐mixed by Ferguson and Matthew McCaughan), TRIP sounds like a culmination of the band’s older work and current work. There’s a looseness and freedom that recalls their older sound mixed with a group sophistication and innovation derived through the process of playing together for so long. The title TRIP refers to the circumstances surrounding its creation and the endeavor of “touring” itself. “It also seems to describe a life in music and the situations we created in our life as a band over the years,” Wagner adds. “It’s been a trip…”

In the late 1970’s Athens, Georgia was buzzing with a raw but sophisticated music scene. Traditional southern rock had been the Georgia musical export for years before but the turn of the decade began producing new sounds from bands like the B-52’s, REM and Alt Rock luminaires, Pylon.

Before they were a band, Pylon were art-school students at the University of Georgia: four kids invigorated by big ideas about art and creativity and society. Pylon was less a band, however, and more of an art project, which meant they had very specific goals in mind as well as an expiration date. While their time together as a band was short lived (1979-1983), Pylon had a lasting influence on the history of rock and roll. Throughout their brief history, they were able to create influential work that would help foster the post-punk and art-rock scene of the early 80s.. Artists like R.E.M., Gang of Four, Sonic Youth, Sleater-Kinney, Interpol, Deerhunter and many more claim inspiration from the band.

In 1980 the band released its first record, Gyrate and began touring across the country in support of the release. The band would soon develop a following across the country and specifically in the bustling music scene in New York City. One of their earliest gigs was opening for the Gang of Four in the big apple. Following the critical acclaim of their debut release, Pylon went back into the studio. While in the studio they gleefully pulled their songs apart and put them back together in new shapes, revealing a band of self-proclaimed non-musicians who had transformed gradually but noticeably into real musicians. The resulting album, Chomp was barely off the press when Pylon were booked to open a run of dates for a hot new Irish band called U2 (after previously playing two arena shows with them in the month leading to the album release). Most bands would have jumped at the opportunity, but Pylon were skeptical. At a critical point in the life of Pylon, they opted to become a cult band rather than stretch their defining philosophy too far.

“We fully intended Pylon to be an almost seasonal thing that we were gonna do for a minute and then get on with our lives,” says Curtis Crowe, drummer for the band. “But it just never went away. It still doesn’t go away. There’s a new subterranean class of kids that are coming into this kind of music, and they’re just now discovering Pylon. That blows my mind. We didn’t see that coming.”

New West Records is proud to partner with Pylon to reissue Chomp and Gyrate back into the masses. Beautifully remastered from the original audio sources and pressed on vinyl for the first time in over 30 years.

In the late 1970’s Athens, Georgia was buzzing with a raw but sophisticated music scene. Traditional southern rock had been the Georgia musical export for years before but the turn of the decade began producing new sounds from bands like the B-52’s, REM and Alt Rock luminaires, Pylon.

Before they were a band, Pylon were art-school students at the University of Georgia: four kids invigorated by big ideas about art and creativity and society. Pylon was less a band, however, and more of an art project, which meant they had very specific goals in mind as well as an expiration date. While their time together as a band was short lived (1979-1983), Pylon had a lasting influence on the history of rock and roll. Throughout their brief history, they were able to create influential work that would help foster the post-punk and art-rock scene of the early 80s.. Artists like R.E.M., Gang of Four, Sonic Youth, Sleater-Kinney, Interpol, Deerhunter and many more claim inspiration from the band.

In 1980 the band released its first record, Gyrate and began touring across the country in support of the release. The band would soon develop a following across the country and specifically in the bustling music scene in New York City. One of their earliest gigs was opening for the Gang of Four in the big apple. Following the critical acclaim of their debut release, Pylon went back into the studio. While in the studio they gleefully pulled their songs apart and put them back together in new shapes, revealing a band of self-proclaimed non-musicians who had transformed gradually but noticeably into real musicians. The resulting album, Chomp was barely off the press when Pylon were booked to open a run of dates for a hot new Irish band called U2 (after previously playing two arena shows with them in the month leading to the album release). Most bands would have jumped at the opportunity, but Pylon were skeptical. At a critical point in the life of Pylon, they opted to become a cult band rather than stretch their defining philosophy too far.

“We fully intended Pylon to be an almost seasonal thing that we were gonna do for a minute and then get on with our lives,” says Curtis Crowe, drummer for the band. “But it just never went away. It still doesn’t go away. There’s a new subterranean class of kids that are coming into this kind of music, and they’re just now discovering Pylon. That blows my mind. We didn’t see that coming.”

New West Records is proud to partner with Pylon to reissue Chomp and Gyrate back into the masses. Beautifully remastered from the original audio sources and pressed on vinyl for the first time in over 30 years.

For his new album, Without People, Donovan Woods explains: “Anything but protest music feels out of place right now. In the middle of a pandemic, as the truth of our environmental devastation sinks in, in the thick of protests reshaping our thoughts on policing and crystallizing the reality of white supremacy at work in all corners of our society, it feels silly to write about relationships. I was thinking about that when the title Without People came to me. It made me think about the intrusion of real life, other people’s needs and opinions into our internal worlds. It made me think about life as a series of lessons that all seem to be about learning to cope without people you love. And it made me think about how beautiful the world could be without us, and how we’re perhaps the first generation to consider that notion as a real possibility. All in all, I think the record sounds like the times it was made in. Turbulent and lonesome.” 

Brothers Osborne are set to release their third studio album, Skeletons, in October. They are 2x CMA Award winners for Vocal Duo Of The Year and winners for the 2018 ACM New Artist of the Year. With 12 new tracks, including current hit- “All Night”. Brothers Osborne’s two previous albums Pawn Shop and Port Saint Joe produced seven singles that charted on the Hot Country Songs chart and included #1 Platinum single, “Stay A Little Longer”. White Indie LP. Packaging includes bonus vinyl slip mat.

US Retail Exclusive 2LP Clear with Blood Red Splatter Vinyl with Embossed Cover. Limited to 2000.

The first release from Mr. Bungle since 1999. The Raging Wrath Of The Easter Bunny Demo is a re-recording of the band's 1986 high school thrash metal demo along with songs written then, but never recorded. The record also features covers of classics by S.O.D. and Corrosion Of Conformity. This version of Mr. Bungle is original members Mike Patton, Trey Spruance and Trevor Dunn, joined by Scott Ian of Anthrax and Dave Lombardo of Slayer/Dead Cross

Recorded in Helsinki, Paris & NY, Hey Clockface is the latest Elvis Costello & Sebastian Krys Production, following their collaboration on Elvis Costello and The Imposters GRAMMY-winning album Look Now. Hey Clockface also features contributions from Bill Frisell, Nels Cline and Steve Nieve. “I wanted the record to be vivid, whether the songs demanded playing that was loud and jagged or intimate and beautiful,” Costello said of the project’s emotional and dynamic range. Indie Transparent Red 2LP in gatefold jacket packaging.

The Great Dismal, NOTHING’s new full-length album explores existentialist themes of isolation, extinction, and human behavior in the face of 2020’s vast wasteland. Closing in on the band’s ten-year mark, frontman Domenic Palermo finds himself stringing together songs of misanthropic tales of Philadelphia with a refined and refreshed take on NOTHING's classic sound. “The Great Dismal refers to a swamp, a brilliant natural trap where survival is custom fit to its inhabitants,” Palermo states. “The nature of its beautiful, but taxing environment and harsh conditions can’t ever really be shaken or forgotten too easily.” The ever progressive NOTHING keeps true to their chaotic outlook on life, keeping a keen eye to avoid repetition. With a radical cast of talented contributors such as harpist Mary Lattimore, classical musician Shelley Weiss, and singer/songwriter/producer Alex G., The Great Dismal showcases yet another essential side of the band’s trademark American Post-Shoegaze.

COLORED VINYL LP: Two 140 Gram GRAY LPs, Transparent Inner Sleeves, 16 Page 12”x 12” booklet, Gatefold Jacket

Letter To You is Bruce Springsteen’s new studio album with the E Street Band, and is a rock album fueled by the band's heart-stopping, house-rocking signature sound. Recorded at his home studio in New Jersey, Letter To You is Springsteen’s 20^th studio album, and is his first album including the E Street Band since 2012’s High Hopes and their first performances together since 2016’s The River Tour.

“I love the emotional nature of Letter To You,” says Springsteen. “And I love the sound of the E Street Band playing completely live in the studio, in a way we’ve never done before, and with no overdubs. We made the album in only five days, and it turned out to be one of the greatest recording experiences I’ve ever had.”

Letter to You includes nine recently written Springsteen songs, as well as new recordings of three of his legendary, but previously unreleased, compositions from the 1970s, “Janey Needs A Shooter,” “If I Was The Priest,” and “Song For Orphans.” Springsteen is joined on Letter To You by Roy Bittan, Nils Lofgren, Patti Scialfa, Garry Tallent, Stevie Van Zandt, Max Weinberg, Charlie Giordano and Jake Clemons. The album was produced by Ron Aniello with Bruce Springsteen, mixed by Bob Clearmountain and mastered by Bob Ludwig.

 

Song Machine, Season One is Gorillaz’ newest concept which started in January 2020, releasing brand new material episodically - as and when it happens – and has continued throughout the year.  The ongoing and ever-evolving process has seen our favourite characters joined by an expanding roster of collaborators captured live in Kong Studios and beyond. The result is an expansive collection of 17 tracks embracing a myriad of sounds, styles, genres and attitudes from a breath-taking line-up of guest artists including Beck, Elton John, Fatoumata Diawara, Georgia, Kano, Leee John, Octavian, Peter Hook, Robert Smith, Roxani Arias, ScHoolboy Q, Slaves, Slowthai, St Vincent and 6LACK, as well as CHAI, EARTHGANG, Goldlink, Joan As Police Woman, JPEGMAFIA, Moonchild Sanelly, Unknown Mortal Orchestra, Skepta and Tony Allen. 

The Drive-By Truckers Austin City Limits performance was recorded on September 23, 2008 during their Brighter Than Creation’s Dark tour. The band lineup featured Patterson Hood, Mike Cooley, Shonna Tucker, John Neff, Brad Morgan and Jay Gonzalez. Lauded by fans as an instant classic and hailed by Patterson Hood as the band’s best filmed performance to date, this acclaimed recording is now on vinyl for the first time ever. Pressed on 180g vinyl, this 2xLP package features a new alternate cover printed on a high quality gatefold jacket.

Peak Vinyl LP: Double LP pressed on metallic gold vinyl same packaging as standard 2-LP. Includes coupon for full download.

My Echo' is my 11th solo album. It's my 'my songs knew I was getting divorced before I did" album. My conscious mind was trying as hard as I could to keep my family together but my subconscious mind was working on the difficult struggles in my marital life. I was part of a 'Secret Poetry Group' that met and wrote poems monthly for a year during the writing of this record. Many of my poems turned into songs for this album. By the time the album was being mixed last fall, my ex-husband/producer Tucker Martine and I had decided to go our separate ways. We were a great musical team for many years but we struggled to be compatible in our marriage and family life and that struggle is reflected in this album.

"Cost of Sacrifice" is Chamber's debut full-length after the 2019 EP "Ripping / Pulling / Tearing" in which Revolver says "They keep at a rapid-fire pace throughout, leading a bunch of disparate parts to one unified, perfectly crushing, breakdown." Revolver has also said of the band that they are "one of the most technically pugnacious hardcore bands around."  

Lean On Me marks Avi Kaplan’s first new music since his acclaimed debut EP, I’ll Get By. This Limited Edition Indie Exclusive 4-song EP is released especially for devoted fans, featuring alternate song content on black vinyl with a special mountainside etching on Side B. The lead track is Avi’s cover of the Bill Withers’ song “Lean on Me”. Withers’ is one of Avi’s musical inspirations and Avi’s cover has become fan-favorite track; available physically for the first time.

"Shadow of Life" is the ten song debut album from Umbra Vitae, recorded and mixed by Kurt Ballou at God City Studios. Guitars and bass were recorded by Mike McKenzie at The Black Coast. The album was mastered by Brad Boatright atAudiosiege. Intro “Decadence Dissolves” is a Schuldiner-esque calm before the storm. “Ethereal Emptiness” and “Atheist Aesthetic” soon rip everything apart, methodically downshifting from blackened to brutal in tone. “Mantra of Madness” then emerges as a monster of a song, driven by inhuman drumming and traditional death metal riffing. This pattern of intensity continues in “Fear is a Fossil”, “Polluted Paradise”, and “Intimate Inferno”. All are motion sickness inducing numbers that violently lurch in aural agony. It’s here one realizes that this album never lets up. “Return to Zero” takes it to another level, viciously grinding as the lines “Return to zero, bite down on the chain, bow down to no one” repeat as mantra. This leads to “Blood Blossom” an amalgamation of metal ferocity and hardcore spirit that could very well be the heaviest track of them all. Infectious closer “Shadow of Life” then screams in terror as it tells the tale of the internal battle of the dark and light within us all.

The World Only Ends When You Die is a cinematic psych folk opera about someone who finds themselves incapable of coping with a new uncertain reality that followed a near death experience. Under a spell of mixed wisdom by several “trickster guides” hailing from the future, this confused person leaps back into the world of the dead only to spend a hero’s journey climbing out, returning to this strange existence of America in 2020.

With 30 years under their belt, The Bouncing Souls are here a historic act in the punk rock world. The NJ natives have over 10 full-length studio albums as well as multiple EP's and compilation albums with other acts including Hot Water Music, The Mezingers, and Anit-Flag. The band has toured the world both on headlining and anniversary tours as well as major festivals including those in Europe, North America, South America, and Asia. "Volume 2" is a collection of the Souls hits spanning their three-decade career only re-imagined in new forms including "Hopeless Romantic", "Gone", and "Argyle".   

The 9 LP super-deluxe edition of Wildflowers contains 70 tracks, 9 unreleased songs and 34 unreleased alternate versions. In addition to the 15 track original album (remastered on two LPs), the super-deluxe edition contains the album All The Rest (10 songs from the original Wildflowers sessions), a double LP of 15 solo demos recorded by Petty at his home studio, and an additional double LP of 14 live versions of Wildflowers songs recorded from 1995 – 2017. Exclusive to the super-deluxe, this edition also includes two LPs of alternate versions (“Finding Wildflowers”). The super-deluxe packaging includes a hardbound 60-page book, an introduction by Rick Rubin (the original producer), an essay by David Fricke, a complete track-by-track, and rare photos and specially commissioned illustrations.

beabadoobee has navigated the world of global touring, viral fame and musical creation to work towards a dazzling debut album. 'Fake It Flowers' is a testament to this. Bea adopts a mature sound, where her familiar warm, fuzzy lo-fi lies between strings & melodies, bringing the raw honesty of her DIY roots into a new era. Indie Exclusive pressed on red vinyl.

iDKHOW is a new project led by Dallon Weekes (Panic! At The Disco). Earning press acclaim, their debut EP hit #1 on Billboard’s Top Heatseekers Chart. iDKHOW initially had a curated storyline, believed to have been a decades-old band that never got a big break until 2017, when an anonymous donor released recovered video footage that hints otherwise, leading fans, music historians and conspiracy theorists to debate. Debut album, RAZZMATAZZ on 10/16. LP on Peach Swirl vinyl w/ book insert.

With “S16”, Woodkid questions the notion of scale, from infinitely large to infinitely small, the balance of forces between human & industrial, and the idea of collective & individual responsibility for creating a world on the verge of breakdown. Accompanying us with his powerful, warm, reassuring voice laid bare, WOODKID leans, as always, towards the symphonic, the making of an entire intimate universe. The album reflects the times on a global scale: moving and human. Limited Edition 180-gram Red 2LP.

On White Bronco, Action Bronson’s 2018 release, he rapped “my next album’s only for dolphins,” and the principled MC is nothing if not true to his word. Thus, “Only For Dolphins”, out this fall on Loma Vista. A Queens legend, respected for his idiosyncratic pen and vivid raps, Bronson is a decade into his career and still deepening his skillset. With “Only For Dolphins” he wants to take the listener on a tour of his creativity. Welcome to his world. Indie Edition Clear Cassette w/ Yellow Leader.

The third full-length from Deep Sea Diver, Impossible Weight is a work of sublime highs and mesmerizing lows, its restless intensity both unsettling and transcendent. Co-produced by bandleader Jessica Dobson and Andy D. Park, the album's lush textures and mercurial arrangements reveal the limitless imagination of Dobson’s guitar work (which she’s previously shown in playing lead guitar for Beck and The Shins) and fully illuminates the power of her vocals. Indie Exclusive Sunburst Orange LP.